The film look I use on every shoot
The same grade from my client work. Drop it on your log footage and get a finished, cinematic look in one step.
Real client footage shot in S Log3. Drag the line to compare.
The same grade from my client work. Drop it on your log footage and get a finished, cinematic look in one step.
Real client footage shot in S Log3. Drag the line to compare.
Log to Rec 709 with the look built in. One per camera profile, matched so every camera lands on the same grade.
Load them on your camera or monitor and light for the final look instead of flat log.
The full node tree for DaVinci Resolve, so you can tweak every step. Install guides included.
Works in Premiere Pro, Final Cut Pro, DaVinci Resolve, CapCut and any app that reads .cube files.
Card, Apple Pay or Google Pay. You get a receipt by email.
Right after payment you land on the download page and the zip saves to your device.
Open your camera's folder, apply the LUT, adjust exposure if needed and export.
These are built for log footage. On standard footage the result will be too contrasty.
If your camera shoots one of the nine log profiles listed above, yes. Message me before buying if you are unsure.
No. The LUTs work in any editor. The PowerGrade is a bonus for Resolve users.
Yes, on personal and paid work. You just cannot resell or share the files.
Tap the download button on the page you land on after paying. If anything goes wrong, email [email protected] with your receipt.
Because it is an instant digital download, all sales are final. If something does not work, I will help you fix it.
18 LUTs plus the PowerGrade. $50, instant download.
Buy and download · $50